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Pagina 152
The ego intermediates between the primal force and the ultimate ideal ; it gives form and physical harmony to what issues forceful but amorphous and perhaps terrifying from the id ; and then , in the super - ego , it gives to these ...
The ego intermediates between the primal force and the ultimate ideal ; it gives form and physical harmony to what issues forceful but amorphous and perhaps terrifying from the id ; and then , in the super - ego , it gives to these ...
Pagina 322
Perhaps there is none ; for perhaps they have never had an esthetic emotion to confuse with their other emotions . The art that they call " beautiful ” is generally closely related to the women . A beautiful picture is a photograph of a ...
Perhaps there is none ; for perhaps they have never had an esthetic emotion to confuse with their other emotions . The art that they call " beautiful ” is generally closely related to the women . A beautiful picture is a photograph of a ...
Pagina 432
Perhaps it is not , but the reasons which may lead us to such a negation are long and difficult . Perhaps it is better then to leave the theme intact . Moreover , it really does not matter for the subject we are now talking about .
Perhaps it is not , but the reasons which may lead us to such a negation are long and difficult . Perhaps it is better then to leave the theme intact . Moreover , it really does not matter for the subject we are now talking about .
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Parole e frasi comuni
abstract action activity actual affective appear appreciation artist aspect associations attitude beauty become called character color common complete connection consciousness course created criticism definition desire direct Distance distinction distinguished dream elements emotional esthetic example existence experience expression external fact feeling function give given hand human ideas images imaginative imitation important individual instinctive interest intuition kind knowledge language less live look material matter means merely mind moral move movement nature never novel object organization original ourselves painting particular perception perhaps person phantasies physical picture play pleasure poem poet poetry possible practical present produce pure question reality reason relation represented result sense shape significance simple social soul sound speak symbols theory things thought tion true truth turn unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |