A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 132
... perhaps not even capable ? Our interest in the problem is only stimu- lated by the circumstance that if we ask poets themselves they give us no explanation of the matter , or at least no satisfactory explanation . The knowledge that not ...
... perhaps not even capable ? Our interest in the problem is only stimu- lated by the circumstance that if we ask poets themselves they give us no explanation of the matter , or at least no satisfactory explanation . The knowledge that not ...
Pagina 322
... Perhaps there is none ; for perhaps they have never had an esthetic emo- tion to confuse with their other emotions . The art that they call " beautiful " is generally closely related to the women . A beautiful picture is a photograph of ...
... Perhaps there is none ; for perhaps they have never had an esthetic emo- tion to confuse with their other emotions . The art that they call " beautiful " is generally closely related to the women . A beautiful picture is a photograph of ...
Pagina 432
... Perhaps it is not , but the reasons which may lead us to such a negation are long and difficult . Perhaps it is better then to leave the theme intact . Moreover , it really does not matter for the subject we are now talking about . Even ...
... Perhaps it is not , but the reasons which may lead us to such a negation are long and difficult . Perhaps it is better then to leave the theme intact . Moreover , it really does not matter for the subject we are now talking about . Even ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words