A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 68
Pagina 51
... person ; that done , they go into an entry in our mental catalogue and are no more really seen . In actual life the normal person really only reads the labels as it were on the objects around him and troubles no further . Almost all the ...
... person ; that done , they go into an entry in our mental catalogue and are no more really seen . In actual life the normal person really only reads the labels as it were on the objects around him and troubles no further . Almost all the ...
Pagina 489
... person or that ; or the opinion of persons of some specified sort . When one has stated the opinion and mentioned the person or class of persons who hold it , one has gone as far as it is possible to go in the direction of a ...
... person or that ; or the opinion of persons of some specified sort . When one has stated the opinion and mentioned the person or class of persons who hold it , one has gone as far as it is possible to go in the direction of a ...
Pagina 494
... person , that person's actual feeling of esthetic pleasure or displeasure then , proves that that rule was a valid one so far as he is concerned . That is , the feeling judges the rule , not the rule the feeling . The rule may not be ...
... person , that person's actual feeling of esthetic pleasure or displeasure then , proves that that rule was a valid one so far as he is concerned . That is , the feeling judges the rule , not the rule the feeling . The rule may not be ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words