Dall'interno del libro
Risultati 1-3 di 56
Pagina 95
And if it be asked why art cannot be a physical fact , we must reply , in the first
place , that physical facts do not possess reality , and that art , to which so many
devote their whole lives and which fills all with a divine joy , is supremely real ;
thus ...
And if it be asked why art cannot be a physical fact , we must reply , in the first
place , that physical facts do not possess reality , and that art , to which so many
devote their whole lives and which fills all with a divine joy , is supremely real ;
thus ...
Pagina 241
It is rather a natural thing to say about poetry , because we discount the physical
side of language . We glance at its words and do not sound them . And Shelley ,
as we saw , says something very like that . But at the very beginning of all this ...
It is rather a natural thing to say about poetry , because we discount the physical
side of language . We glance at its words and do not sound them . And Shelley ,
as we saw , says something very like that . But at the very beginning of all this ...
Pagina 519
perceptions of the identical work that is to be noticed . I think I can make this
situation , or rather the succession of situations , clearer by a diagram . The two
main factors are , first , what we ordinarily call the physical work of artthat is , the
stone ...
perceptions of the identical work that is to be noticed . I think I can make this
situation , or rather the succession of situations , clearer by a diagram . The two
main factors are , first , what we ordinarily call the physical work of artthat is , the
stone ...
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination imitation important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represented result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |