Dall'interno del libro
Risultati 1-3 di 59
Pagina 95
And if it be asked why art cannot be a physical fact, we must reply, in the first
place, that physical facts do not possess ... so many devote their whole fives and
which fills all with a divine joy, is supremely real; thus it cannot be a physical fact
...
And if it be asked why art cannot be a physical fact, we must reply, in the first
place, that physical facts do not possess ... so many devote their whole fives and
which fills all with a divine joy, is supremely real; thus it cannot be a physical fact
...
Pagina 96
with their physics, when they conceive physical phenomena as products of
principles that are beyond experience, of atoms or of ether, or as the
manifestation of an Unknowable: besides, the matter itself of the materialists is a
super- material ...
with their physics, when they conceive physical phenomena as products of
principles that are beyond experience, of atoms or of ether, or as the
manifestation of an Unknowable: besides, the matter itself of the materialists is a
super- material ...
Pagina 519
perceptions of the identical work that is to be noticed. I think I can make this
situation, or rather the succession of situations, clearer by a diagram. The two
main factors are, first, what we ordinarily call the physical work of art— that is, the
stone ...
perceptions of the identical work that is to be noticed. I think I can make this
situation, or rather the succession of situations, clearer by a diagram. The two
main factors are, first, what we ordinarily call the physical work of art— that is, the
stone ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
20 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |