A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 59
Pagina 95
... physical phenomena with art . And if it be asked why art cannot be a physical fact , we must reply , in the first place , that physical facts do not possess reality , and that art , to which so many de- vote their whole lives and which ...
... physical phenomena with art . And if it be asked why art cannot be a physical fact , we must reply , in the first place , that physical facts do not possess reality , and that art , to which so many de- vote their whole lives and which ...
Pagina 96
... physical fact in this second sense , either ; which amounts to saying that when we propose to ourselves to penetrate its nature and mode of action , to construct it physically is of no avail . Another negation is implied in the ...
... physical fact in this second sense , either ; which amounts to saying that when we propose to ourselves to penetrate its nature and mode of action , to construct it physically is of no avail . Another negation is implied in the ...
Pagina 519
... physical work of art- that is , the stone or bronze of a statue , the canvas and pigments of painting , the score of a piece of music , the paper and print of a book - and , second , the spectator . Here is the diagram : Physical Work ...
... physical work of art- that is , the stone or bronze of a statue , the canvas and pigments of painting , the score of a piece of music , the paper and print of a book - and , second , the spectator . Here is the diagram : Physical Work ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity ANDREW CECIL BRADLEY appear appreciation Aristotle artist aspect attitudes balance beauty become BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition judgments kind knowledge language latent content live manifest content material means Melvin Rader ment merely mind moral nature object organization ourselves painting perceived perception person phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry present principle produce psychological pure relation rhythm rience ROGER FRY scientific sensations sense sensuous social soul sound spatial super-ego theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words