A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 69
Pagina 239
... picture , is , as you know them at home so to speak , the tree or the person of the picture . Poetry no more keeps its meaning when turned into corresponding prose , than a picture or a sonata keeps its meaning in the little analyses ...
... picture , is , as you know them at home so to speak , the tree or the person of the picture . Poetry no more keeps its meaning when turned into corresponding prose , than a picture or a sonata keeps its meaning in the little analyses ...
Pagina 519
... picture , say El Greco's " Toledo " in the Metropolitan Museum . The physical picture has had a long continuous history since El Greco laid the pigments on the canvas . And , supposing I am the spectator , so have I as an organism and ...
... picture , say El Greco's " Toledo " in the Metropolitan Museum . The physical picture has had a long continuous history since El Greco laid the pigments on the canvas . And , supposing I am the spectator , so have I as an organism and ...
Pagina 520
... picture , bring up the memory of it , but we shall not here concern ourselves with this phase of the matter nor with photographs or other possible reproduc- tions of the original . Strictly speaking , the quality of the picture is only ...
... picture , bring up the memory of it , but we shall not here concern ourselves with this phase of the matter nor with photographs or other possible reproduc- tions of the original . Strictly speaking , the quality of the picture is only ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
24 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words