A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 340
... poem , and who said , for example , that the subject of The Ancient Mariner was a sailor who killed an albatross and suffered for his deed . Now the subject , in this sense ( and I intend to use the word in no other ) , is not , as such ...
... poem , and who said , for example , that the subject of The Ancient Mariner was a sailor who killed an albatross and suffered for his deed . Now the subject , in this sense ( and I intend to use the word in no other ) , is not , as such ...
Pagina 342
... poem or the débris of a poem . It is not an abstract idea or a bare isolated fact , but an assemblage of figures , scenes , actions , and events , which already appeal to emo- tional imagination ; and it is already in some degree or ...
... poem or the débris of a poem . It is not an abstract idea or a bare isolated fact , but an assemblage of figures , scenes , actions , and events , which already appeal to emo- tional imagination ; and it is already in some degree or ...
Pagina 348
... poem as Hamlet , it may be necessary from time to time to interrupt the poetic experience , in order to enrich it by forming such a product and dwelling on it . Nor , in a wide sense of ' poetic , ' do I question the poetic value of ...
... poem as Hamlet , it may be necessary from time to time to interrupt the poetic experience , in order to enrich it by forming such a product and dwelling on it . Nor , in a wide sense of ' poetic , ' do I question the poetic value of ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words