Dall'interno del libro
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Pagina 340
If the title of a poem conveys little or nothing to us, the "subject" appears to be
either what we should gather by investigating the title in a dictionary or other
book of the kind, or else such a brief suggestion as might be offered by a person
who ...
If the title of a poem conveys little or nothing to us, the "subject" appears to be
either what we should gather by investigating the title in a dictionary or other
book of the kind, or else such a brief suggestion as might be offered by a person
who ...
Pagina 342
And he does not prove his point by observing that a good poem might be written
on a pin's head, and a bad one on the Fall of Man. That truth shows that the
subject settles nothing, but not that it counts for nothing. The Fall of Man is really
a ...
And he does not prove his point by observing that a good poem might be written
on a pin's head, and a bad one on the Fall of Man. That truth shows that the
subject settles nothing, but not that it counts for nothing. The Fall of Man is really
a ...
Pagina 348
all of this kind that is in the poem; for in forgetting the words you must have lost
innumerable details of the action and the characters. And, when the question of
value is raised, I must insist that the action and characters, as you conceive them,
...
all of this kind that is in the poem; for in forgetting the words you must have lost
innumerable details of the action and the characters. And, when the question of
value is raised, I must insist that the action and characters, as you conceive them,
...
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Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |