Dall'interno del libro
Risultati 1-3 di 62
Pagina 340
If the title of a poem conveys little or nothing to us , the “ subject ” appears to be
either what we should gather by investigating the title in a dictionary or other
book of the kind , or else such a brief suggestion as might be offered by a person
who ...
If the title of a poem conveys little or nothing to us , the “ subject ” appears to be
either what we should gather by investigating the title in a dictionary or other
book of the kind , or else such a brief suggestion as might be offered by a person
who ...
Pagina 342
And he does not prove his point by observing that a good poem might be written
on a pin ' s head , and a bad one on the Fall of Man . That truth shows that the
subject settles nothing , but not that it counts for nothing . The Fall of Man is really
a ...
And he does not prove his point by observing that a good poem might be written
on a pin ' s head , and a bad one on the Fall of Man . That truth shows that the
subject settles nothing , but not that it counts for nothing . The Fall of Man is really
a ...
Pagina 348
all of this kind that is in the poem ; for in forgetting the words you must have lost
innumerable details of the action and the characters . And , when the question of
value is raised , I must insist that the action and characters , as you conceive
them ...
all of this kind that is in the poem ; for in forgetting the words you must have lost
innumerable details of the action and the characters . And , when the question of
value is raised , I must insist that the action and characters , as you conceive
them ...
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination imitation important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represented result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |