A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Risultati 1-3 di 90
Pagina 124
... poetic imagination . Of course , Shakespeare was neither Macbeth , nor Hamlet , nor Othello ; still , he might have been these several characters if the circumstances of the case on the one hand , and the consent of his will on the ...
... poetic imagination . Of course , Shakespeare was neither Macbeth , nor Hamlet , nor Othello ; still , he might have been these several characters if the circumstances of the case on the one hand , and the consent of his will on the ...
Pagina 156
... poet's world is his world . As he reads the poem he feels the emotions of the poet . Just as the pythoness or bacchante speaks for the god in the first person , so the reader under the influence of poetic illusion feels for the poet in ...
... poet's world is his world . As he reads the poem he feels the emotions of the poet . Just as the pythoness or bacchante speaks for the god in the first person , so the reader under the influence of poetic illusion feels for the poet in ...
Pagina 348
... poetic experience , in order to enrich it by forming such a product and dwelling on it . Nor , in a wide sense of ' poetic , ' do I question the poetic value of this product , as you think of it apart from the poem . It resembles our ...
... poetic experience , in order to enrich it by forming such a product and dwelling on it . Nor , in a wide sense of ' poetic , ' do I question the poetic value of this product , as you think of it apart from the poem . It resembles our ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words