A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina xxix
... present values . The essence of a sign is that it gives us mediate , rather than immediate , knowledge ; and even an iconic sign , although it is a kind of " picture , " is but the surrogate for the object as vividly and imaginatively ...
... present values . The essence of a sign is that it gives us mediate , rather than immediate , knowledge ; and even an iconic sign , although it is a kind of " picture , " is but the surrogate for the object as vividly and imaginatively ...
Pagina 142
... presents his plays , or relates what we take to be his personal daydreams , we experience great pleasure arising ... present discussion . -Neue Revue , Volume I ( 1908 ) ; translation first published in Collected Papers , Volume IV ...
... presents his plays , or relates what we take to be his personal daydreams , we experience great pleasure arising ... present discussion . -Neue Revue , Volume I ( 1908 ) ; translation first published in Collected Papers , Volume IV ...
Pagina 462
... present moment and in connection with this par- ticular mountain . That present and particular raising and lifting is merely the nucleus to which gravitates our re- membrance of all similar acts of raising , or rising which we have ever ...
... present moment and in connection with this par- ticular mountain . That present and particular raising and lifting is merely the nucleus to which gravitates our re- membrance of all similar acts of raising , or rising which we have ever ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words