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Pagina 43
We have seen that two main principles are involved - a principle of form , derived
, in our opinion , from the organic world , and the universal objective aspect of all
works of art ; and a principle of origination peculiar to the mind of man , and ...
We have seen that two main principles are involved - a principle of form , derived
, in our opinion , from the organic world , and the universal objective aspect of all
works of art ; and a principle of origination peculiar to the mind of man , and ...
Pagina 347
No doubt you may say , speaking loosely , that in this poet or poem the aspect of
substance is the more noticeable , and in that the aspect of form ; and you may
pursue interesting discussions on this basis , though no principle or ultimate ...
No doubt you may say , speaking loosely , that in this poet or poem the aspect of
substance is the more noticeable , and in that the aspect of form ; and you may
pursue interesting discussions on this basis , though no principle or ultimate ...
Pagina 357
These principles are , I think , very few ; as few , indeed , as six : the principle of
organic unity , or unity in variety , as it has been called ; the principle of the theme
; the principle of thematic variation ; balance ; the principle of hierarchy ; and ...
These principles are , I think , very few ; as few , indeed , as six : the principle of
organic unity , or unity in variety , as it has been called ; the principle of the theme
; the principle of thematic variation ; balance ; the principle of hierarchy ; and ...
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination imitation important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represented result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |