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Pagina 43
We have seen that two main principles are involved - a principle of form , derived , in our opinion , from the organic world , and the universal objective aspect of all works of art ; and a principle of origination peculiar to the mind ...
We have seen that two main principles are involved - a principle of form , derived , in our opinion , from the organic world , and the universal objective aspect of all works of art ; and a principle of origination peculiar to the mind ...
Pagina 347
No doubt you may say , speaking loosely , that in this poet or poem the aspect of substance is the more noticeable , and in that the aspect of form ; and you may pursue interesting discussions on this basis , though no principle or ...
No doubt you may say , speaking loosely , that in this poet or poem the aspect of substance is the more noticeable , and in that the aspect of form ; and you may pursue interesting discussions on this basis , though no principle or ...
Pagina 357
I shall try to reduce the general characteristics of esthetic form to their simplest principles , hoping to provide ... These principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in ...
I shall try to reduce the general characteristics of esthetic form to their simplest principles , hoping to provide ... These principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in ...
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Parole e frasi comuni
abstract action activity actual affective appear appreciation artist aspect associations attitude beauty become called character color common complete connection consciousness course created criticism definition desire direct Distance distinction distinguished dream elements emotional esthetic example existence experience expression external fact feeling function give given hand human ideas images imaginative imitation important individual instinctive interest intuition kind knowledge language less live look material matter means merely mind moral move movement nature never novel object organization original ourselves painting particular perception perhaps person phantasies physical picture play pleasure poem poet poetry possible practical present produce pure question reality reason relation represented result sense shape significance simple social soul sound speak symbols theory things thought tion true truth turn unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |