A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 32
... Problem in the Aesthetic Appreciation of Single Colors " ( Brit . J. Psych . , II , 406 ff . ) and “ The Perceptive Problem in the Appreciation of Simple Color - combinations " ( Ibid . , III , 406 ff . ) . plastic work of art : Form ...
... Problem in the Aesthetic Appreciation of Single Colors " ( Brit . J. Psych . , II , 406 ff . ) and “ The Perceptive Problem in the Appreciation of Simple Color - combinations " ( Ibid . , III , 406 ff . ) . plastic work of art : Form ...
Pagina 141
... problem at all , i.e. , what are the means which writers use to achieve those emotional reactions in us that are ... problems of the effect produced on us by imaginative works . You will remember that we said the daydreamer hid his ...
... problem at all , i.e. , what are the means which writers use to achieve those emotional reactions in us that are ... problems of the effect produced on us by imaginative works . You will remember that we said the daydreamer hid his ...
Pagina 357
An Anthology Melvin Miller Rader. DEWITT H. PARKER THE PROBLEM OF ESTHETIC FORM I shall try to reduce the general characteristics of esthetic form to their simplest principles , hoping to ... Problem of Esthetic Form From The Analysis of Art.
An Anthology Melvin Miller Rader. DEWITT H. PARKER THE PROBLEM OF ESTHETIC FORM I shall try to reduce the general characteristics of esthetic form to their simplest principles , hoping to ... Problem of Esthetic Form From The Analysis of Art.
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words