A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 417
... produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selec- tive , idealizing imitation of nature finds merely another support in such a saying . Naturalism , pleinairism , impres ...
... produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selec- tive , idealizing imitation of nature finds merely another support in such a saying . Naturalism , pleinairism , impres ...
Pagina 541
... produce afresh that loveliness and order which only the hand of man guided by his soul can produce ; what have they done for us now ? Those machines of which the civilized world is so proud , has it any right to be proud of the use they ...
... produce afresh that loveliness and order which only the hand of man guided by his soul can produce ; what have they done for us now ? Those machines of which the civilized world is so proud , has it any right to be proud of the use they ...
Pagina 558
... produced through the machine : they even pointed to the fact that it had been produced . The first expression of Cubism indeed dates back to the seventeenth century : Jean Baptiste Bracelle , in 1624 , did a series of Bizarreries which ...
... produced through the machine : they even pointed to the fact that it had been produced . The first expression of Cubism indeed dates back to the seventeenth century : Jean Baptiste Bracelle , in 1624 , did a series of Bizarreries which ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words