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Pagina 72
But as the interview proceeds, secondary emotions are evolved as variations of
the primary underlying one. It is even possible for each attitude and gesture, each
sentence, almost every word, to produce more than a fluctuation in the intensity ...
But as the interview proceeds, secondary emotions are evolved as variations of
the primary underlying one. It is even possible for each attitude and gesture, each
sentence, almost every word, to produce more than a fluctuation in the intensity ...
Pagina 417
Whistler indeed said that to produce Art by imitating nature would be like trying to
produce music by sitting upon the piano, but the selective, idealizing imitation of
nature finds merely another support in such a saying. Naturalism, pleinairism ...
Whistler indeed said that to produce Art by imitating nature would be like trying to
produce music by sitting upon the piano, but the selective, idealizing imitation of
nature finds merely another support in such a saying. Naturalism, pleinairism ...
Pagina 541
... forethought had dealt with them might even now be speedily extinguishing all
irksome and unintelligent labor, leaving us free to raise the standard of skill of
hand and energy of mind in our workmen, and to produce afresh that loveliness
and ...
... forethought had dealt with them might even now be speedily extinguishing all
irksome and unintelligent labor, leaving us free to raise the standard of skill of
hand and energy of mind in our workmen, and to produce afresh that loveliness
and ...
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Indice
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |