Dall'interno del libro
Risultati 1-3 di 82
Pagina 75
Moreover , he has to see each particular connection of doing and undergoing in
relation to the whole that he desires to produce . To apprehend such relations is
to think , and is one of the most exacting modes of thought . The difference ...
Moreover , he has to see each particular connection of doing and undergoing in
relation to the whole that he desires to produce . To apprehend such relations is
to think , and is one of the most exacting modes of thought . The difference ...
Pagina 417
Whistler indeed said that to produce Art by imitating nature would be like trying to
produce music by sitting upon the piano , but the selective , idealizing imitation of
nature finds merely another support in such a saying . Naturalism , pleinairism ...
Whistler indeed said that to produce Art by imitating nature would be like trying to
produce music by sitting upon the piano , but the selective , idealizing imitation of
nature finds merely another support in such a saying . Naturalism , pleinairism ...
Pagina 557
chines : angioned for machined . in machine craft decoration , in the willing
production of superfluity , contributed by the worker out of his own delight in the
work . The elegance of a mathematical equation , the inevitability of a series of
physical ...
chines : angioned for machined . in machine craft decoration , in the willing
production of superfluity , contributed by the worker out of his own delight in the
work . The elegance of a mathematical equation , the inevitability of a series of
physical ...
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination imitation important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represented result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |