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Pagina 72
It is even possible for each attitude and gesture , each sentence , almost every word , to produce more than a fluctuation in the intensity of the basic emotion ; to produce , that is , a change of shade and tint in its quality .
It is even possible for each attitude and gesture , each sentence , almost every word , to produce more than a fluctuation in the intensity of the basic emotion ; to produce , that is , a change of shade and tint in its quality .
Pagina 417
Whistler indeed said that to produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selective , idealizing imitation of nature finds merely another support in such a saying .
Whistler indeed said that to produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selective , idealizing imitation of nature finds merely another support in such a saying .
Pagina 541
... leaving us free to raise the standard of skill of hand and energy of mind in our workmen , and to produce afresh that loveliness and order which only the hand of man guided by his soul can produce ; what have they done for us now ?
... leaving us free to raise the standard of skill of hand and energy of mind in our workmen , and to produce afresh that loveliness and order which only the hand of man guided by his soul can produce ; what have they done for us now ?
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Parole e frasi comuni
abstract action activity actual affective appear appreciation artist aspect associations attitude beauty become called character color common complete connection consciousness course created criticism definition desire direct Distance distinction distinguished dream elements emotional esthetic example existence experience expression external fact feeling function give given hand human ideas images imaginative imitation important individual instinctive interest intuition kind knowledge language less live look material matter means merely mind moral move movement nature never novel object organization original ourselves painting particular perception perhaps person phantasies physical picture play pleasure poem poet poetry possible practical present produce pure question reality reason relation represented result sense shape significance simple social soul sound speak symbols theory things thought tion true truth turn unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |