A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 446
... psychological presuppositions . For we thereby attain an understanding of that formula so important for us , which shall serve us as a foil for the following discussions and which we therefore repeat here : " Esthetic enjoyment is ...
... psychological presuppositions . For we thereby attain an understanding of that formula so important for us , which shall serve us as a foil for the following discussions and which we therefore repeat here : " Esthetic enjoyment is ...
Pagina 450
... psychologically explained only as we think of an art which , arising from psychological needs , satisfies psychological needs . . • The worth of an art - work , which we call its beauty , lies generally speaking in its values as a means ...
... psychologically explained only as we think of an art which , arising from psychological needs , satisfies psychological needs . . • The worth of an art - work , which we call its beauty , lies generally speaking in its values as a means ...
Pagina 591
... Psychological Descrip- tion , " Psychological Review , Vol . 44 ( 1937 ) , pp . 245-263 . Koffka , Kurt , “ Problems in the Psychology of Art , ” Art : A Bryn Mawr Symposium , Bryn Mawr , 1940 . Lee , Harry B. , “ On the Esthetic States ...
... Psychological Descrip- tion , " Psychological Review , Vol . 44 ( 1937 ) , pp . 245-263 . Koffka , Kurt , “ Problems in the Psychology of Art , ” Art : A Bryn Mawr Symposium , Bryn Mawr , 1940 . Lee , Harry B. , “ On the Esthetic States ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words