A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 55
Pagina 103
... Pure images ! But to nourish oneself upon pure images is called by a name of little honor , " to dream , " and there is usually added to this the epithet of " idle . " It is a very insipid and inconclusive thing ; can it ever be art ...
... Pure images ! But to nourish oneself upon pure images is called by a name of little honor , " to dream , " and there is usually added to this the epithet of " idle . " It is a very insipid and inconclusive thing ; can it ever be art ...
Pagina 327
... pure es- thetic emotion that I get from visual art . It is less intense , and the rapture is evanescent ; I understand music too ill for music to transport me far into the world of pure esthetic ecstasy . But at moments I do appreciate ...
... pure es- thetic emotion that I get from visual art . It is less intense , and the rapture is evanescent ; I understand music too ill for music to transport me far into the world of pure esthetic ecstasy . But at moments I do appreciate ...
Pagina 332
... pure forms - that is , as ends in themselves . He did not feel emotion for a chair as a means to physical well ... pure forms . It is for , or at any rate through , pure form that he feels his inspired emotion . Now to see objects as ...
... pure forms - that is , as ends in themselves . He did not feel emotion for a chair as a means to physical well ... pure forms . It is for , or at any rate through , pure form that he feels his inspired emotion . Now to see objects as ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words