A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 66
Pagina xv
... qualities , and it is these qualities , thus pervaded by feeling , emotion or desire , that are expressed . In this sense , art is the expres- sion of values . 6 Values , in contrast with facts , are often merely imaginary ...
... qualities , and it is these qualities , thus pervaded by feeling , emotion or desire , that are expressed . In this sense , art is the expres- sion of values . 6 Values , in contrast with facts , are often merely imaginary ...
Pagina 79
... qualities that depend upon reference to its source and its manner of production in connection with criteria of excellence . As production must absorb into itself qualities of the product as perceived and be regulated by them , so , on ...
... qualities that depend upon reference to its source and its manner of production in connection with criteria of excellence . As production must absorb into itself qualities of the product as perceived and be regulated by them , so , on ...
Pagina 218
... qualities of the object to a minimum , and to regard most perceptions as an effect of those few qualities upon us . These few primary qualities , like extension which we persist in treating as independently real and as the quality of a ...
... qualities of the object to a minimum , and to regard most perceptions as an effect of those few qualities upon us . These few primary qualities , like extension which we persist in treating as independently real and as the quality of a ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words