A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 232
... question , " Does music have meaning , and if so , what kind ? " This question is of particular interest , because " pure music " is preeminently a nonrepresentational art . His discussion , 3 Aesthetic Judgment , Crowell , New York ...
... question , " Does music have meaning , and if so , what kind ? " This question is of particular interest , because " pure music " is preeminently a nonrepresentational art . His discussion , 3 Aesthetic Judgment , Crowell , New York ...
Pagina 347
... question in which of them the value lies has no sense . No doubt you may say , speaking loosely , that in this poet or poem the aspect of substance is the more noticeable , and in that the aspect of form ; and you may pursue interesting ...
... question in which of them the value lies has no sense . No doubt you may say , speaking loosely , that in this poet or poem the aspect of substance is the more noticeable , and in that the aspect of form ; and you may pursue interesting ...
Pagina 473
... question , What is it ? and this question can be answered only within an historical frame of reference . Similarly , the re - creation of a work of art in all its indi- viduality is essential to both historical and judicial criticism ...
... question , What is it ? and this question can be answered only within an historical frame of reference . Similarly , the re - creation of a work of art in all its indi- viduality is essential to both historical and judicial criticism ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
24 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words