A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 119
... reason commands : duty calls , and we have to obey the summons . Under this dual influence has perforce been formed an outward layer of feelings and ideas which make for permanence , aim at becoming common to all men , and cover , when ...
... reason commands : duty calls , and we have to obey the summons . Under this dual influence has perforce been formed an outward layer of feelings and ideas which make for permanence , aim at becoming common to all men , and cover , when ...
Pagina 135
... reason for this different behavior in the child at play and in the daydreaming adult . The play of children is determined by their wishes- really by the child's one wish , which is to be grown - up , the wish that helps to " bring him ...
... reason for this different behavior in the child at play and in the daydreaming adult . The play of children is determined by their wishes- really by the child's one wish , which is to be grown - up , the wish that helps to " bring him ...
Pagina 492
... reasons for my opinions . But of what nature are those reason ? They are , ulti- mately , of the same nature as would be that offered by a man arguing that my pen had to fall when I let go of it a moment ago , because of gravitation ...
... reasons for my opinions . But of what nature are those reason ? They are , ulti- mately , of the same nature as would be that offered by a man arguing that my pen had to fall when I let go of it a moment ago , because of gravitation ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words