A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 37
Pagina 156
... reference to another reality , so the reader of poetry lives in the words of the poetry , without reference to the external world . The poet's world is his world . As he reads the poem he feels the emotions of the poet . Just as the ...
... reference to another reality , so the reader of poetry lives in the words of the poetry , without reference to the external world . The poet's world is his world . As he reads the poem he feels the emotions of the poet . Just as the ...
Pagina 269
... reference to the world , composers simply invent sequences of sounds without reference to anything ; we judge some sequences good and some bad , but this judgment is based on a " purely musical faculty . " Music , on this view ...
... reference to the world , composers simply invent sequences of sounds without reference to anything ; we judge some sequences good and some bad , but this judgment is based on a " purely musical faculty . " Music , on this view ...
Pagina 461
... reference to ourselves ( since we aren't thinking of ourselves ) , is thought of in reference to what we are think- ing about , namely , the mountain , or rather the mountain's shape , which is , so to speak , responsible for any ...
... reference to ourselves ( since we aren't thinking of ourselves ) , is thought of in reference to what we are think- ing about , namely , the mountain , or rather the mountain's shape , which is , so to speak , responsible for any ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words