A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina vii
... relation between form and content ; the main principles of form , such as balance , rhythm , and thematic variation ; and recurrent styles such as the Baroque , and formal types such as the sonnet or the fugue . Part Three discusses ...
... relation between form and content ; the main principles of form , such as balance , rhythm , and thematic variation ; and recurrent styles such as the Baroque , and formal types such as the sonnet or the fugue . Part Three discusses ...
Pagina 246
... relation constituting a serial order has certain proper- ties . If it applies to a group of elements , then every one of these elements is related to every other by this same relation . This is called the connexity of the relation . A ...
... relation constituting a serial order has certain proper- ties . If it applies to a group of elements , then every one of these elements is related to every other by this same relation . This is called the connexity of the relation . A ...
Pagina 406
... relation of such a kind . On the con- trary , it describes a personal relation , often highly emo- tionally colored , but of a peculiar character . Its peculiar- ity lies in that the personal character of the relation has been , so to ...
... relation of such a kind . On the con- trary , it describes a personal relation , often highly emo- tionally colored , but of a peculiar character . Its peculiar- ity lies in that the personal character of the relation has been , so to ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words