A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 160
... represented by the direct and indirect effect on me of all the art I have felt , and all the emotional organization ... represents the negation of the negation - the synthesis between the existing world of art ( existing consciousness or ...
... represented by the direct and indirect effect on me of all the art I have felt , and all the emotional organization ... represents the negation of the negation - the synthesis between the existing world of art ( existing consciousness or ...
Pagina 439
... represented in the traditional picture , we might live in the imagination . Many Englishmen have fallen in love with Mona Lisa . With things represented in the new pictures , it is impos- sible to live : on stripping them of their ...
... represented in the traditional picture , we might live in the imagination . Many Englishmen have fallen in love with Mona Lisa . With things represented in the new pictures , it is impos- sible to live : on stripping them of their ...
Pagina 458
... represents at bottom an impulse to self - privation , will be all the more incomprehensible to us at first glance since we still have ringing in our ears that formula : " Esthetic enjoyment is objectified self - enjoy- ment . " For ...
... represents at bottom an impulse to self - privation , will be all the more incomprehensible to us at first glance since we still have ringing in our ears that formula : " Esthetic enjoyment is objectified self - enjoy- ment . " For ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words