A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 363
... rhythm may seem to be opposed to balance . Yet an analysis of rhythm shows it to be built upon the two funda- mental esthetic forms , thematic repetition and balance . For what are the typical characteristics of rhythm ? Every rhythm is ...
... rhythm may seem to be opposed to balance . Yet an analysis of rhythm shows it to be built upon the two funda- mental esthetic forms , thematic repetition and balance . For what are the typical characteristics of rhythm ? Every rhythm is ...
Pagina 364
... rhythm of identical and bal- ancing filled and empty spaces , the columns corresponding to the arsis , and the spatial interval to the thesis . Hence when balance seems to be replaced by rhythm , balance is still present , only it is ...
... rhythm of identical and bal- ancing filled and empty spaces , the columns corresponding to the arsis , and the spatial interval to the thesis . Hence when balance seems to be replaced by rhythm , balance is still present , only it is ...
Pagina 365
... rhythm ; yet that evolution is distinct from rhythm can easily be seen . For in rhythm , unless combined with evolution , there is no obvious de- velopment , no tendency toward a goal . Rhythm is recur- rence and balance of systole and ...
... rhythm ; yet that evolution is distinct from rhythm can easily be seen . For in rhythm , unless combined with evolution , there is no obvious de- velopment , no tendency toward a goal . Rhythm is recur- rence and balance of systole and ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words