A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 71
... rience without physical transport and assembling . Emotion is the moving and cementing force . It selects what is congruous and dyes what is selected with its color , thereby giving qualitative unity to materials externally disparate ...
... rience without physical transport and assembling . Emotion is the moving and cementing force . It selects what is congruous and dyes what is selected with its color , thereby giving qualitative unity to materials externally disparate ...
Pagina 92
... rience , he thinks , is more intellectual than intuitive . The average person's senses give him a greatly conceptualized version of reality . Since he seldom has a clear grasp of the individuality of things , his description of objects ...
... rience , he thinks , is more intellectual than intuitive . The average person's senses give him a greatly conceptualized version of reality . Since he seldom has a clear grasp of the individuality of things , his description of objects ...
Pagina 507
... rience . They turn it into a practical situation and seek means to get out of it . A voluntary intuition of vivid quality is either pleasant or finds something so satisfying in the situation that it absorbs the pain . But if one wants ...
... rience . They turn it into a practical situation and seek means to get out of it . A voluntary intuition of vivid quality is either pleasant or finds something so satisfying in the situation that it absorbs the pain . But if one wants ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words