A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 304
... scientific form of discourse has received the most careful and elaborate analysis of any of the forms of dis- course . Logicians have for the most part restricted their attention to the language of science ; such a work as the ...
... scientific form of discourse has received the most careful and elaborate analysis of any of the forms of dis- course . Logicians have for the most part restricted their attention to the language of science ; such a work as the ...
Pagina 310
... scientific question . Further , the scientist may be helped in the scientific study of values by the vivid portrayal of the value whose conditions he endeavors to trace . He may obtain stimulation through the esthetic presentation of ...
... scientific question . Further , the scientist may be helped in the scientific study of values by the vivid portrayal of the value whose conditions he endeavors to trace . He may obtain stimulation through the esthetic presentation of ...
Pagina 311
... scientific discourse . It may , further , concern i.self with the value of scientific and technological activity and their results . Its presentation of negative value might seem to endanger the work of the mor- alist , and indeed it ...
... scientific discourse . It may , further , concern i.self with the value of scientific and technological activity and their results . Its presentation of negative value might seem to endanger the work of the mor- alist , and indeed it ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words