Dall'interno del libro
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Pagina 304
The present position is that there are three primary forms of discourse (the
scientific, the esthetic, and the technological), and that all other forms are
secondary, that is, are a function of these primary forms.2 A brief characterization
of the three ...
The present position is that there are three primary forms of discourse (the
scientific, the esthetic, and the technological), and that all other forms are
secondary, that is, are a function of these primary forms.2 A brief characterization
of the three ...
Pagina 310
It is also desirable to know the consequences of proposed courses of action
under the conditions which have to be met, and scientific discourse favors such
accuracy in prediction. Technological discourse gives the stimulation to act upon
the ...
It is also desirable to know the consequences of proposed courses of action
under the conditions which have to be met, and scientific discourse favors such
accuracy in prediction. Technological discourse gives the stimulation to act upon
the ...
Pagina 311
It may, further, concern uself with the value of scientific and technological activity
and their results. Its presentation of negative value might seem to endanger the
work of the moralist, and indeed it does endanger encrusted moral customs.
It may, further, concern uself with the value of scientific and technological activity
and their results. Its presentation of negative value might seem to endanger the
work of the moralist, and indeed it does endanger encrusted moral customs.
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Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |