A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 80
... sense of things in per- ception as belonging together or as jarring ; as reënforcing or as interfering . The consequences of the act of making as reported in sense show whether what is done carries forward the idea being executed or ...
... sense of things in per- ception as belonging together or as jarring ; as reënforcing or as interfering . The consequences of the act of making as reported in sense show whether what is done carries forward the idea being executed or ...
Pagina 404
... sense , Distance is a factor in all Art . 3. It is , for this very reason , also an esthetic principle . The esthetic contemplation and the esthetic outlook have often been described as " objective . " We speak of “ ob- jective ...
... sense , Distance is a factor in all Art . 3. It is , for this very reason , also an esthetic principle . The esthetic contemplation and the esthetic outlook have often been described as " objective . " We speak of “ ob- jective ...
Pagina 506
... sense it does come from another world . It comes from a basically different way of handling the world's evidence , from a different world hypothesis . Contextualism is the youngest of the relatively adequate world views and is still in ...
... sense it does come from another world . It comes from a basically different way of handling the world's evidence , from a different world hypothesis . Contextualism is the youngest of the relatively adequate world views and is still in ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words