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Pagina 80
When they do not, both of them, act as organs of the whole being, there is but a
mechanical sequence of sense and movement, as in walking that is automatic.
Hand and eye, when the experience is esthetic, are but instruments through
which ...
When they do not, both of them, act as organs of the whole being, there is but a
mechanical sequence of sense and movement, as in walking that is automatic.
Hand and eye, when the experience is esthetic, are but instruments through
which ...
Pagina 404
The sudden view of things from their reverse, usually unnoticed, side, comes
upon us as a revelation, and such revelations are precisely those of Art. In this
most general sense, Distance is a factor in all Art. 3. It is, for this very reason, also
an ...
The sudden view of things from their reverse, usually unnoticed, side, comes
upon us as a revelation, and such revelations are precisely those of Art. In this
most general sense, Distance is a factor in all Art. 3. It is, for this very reason, also
an ...
Pagina 506
In a certain sense it does come from another world. It comes from a basically
different way of handling the world's evidence, from a different world hypothesis.
Contextualism is the youngest of the relatively adequate world views and is still in
its ...
In a certain sense it does come from another world. It comes from a basically
different way of handling the world's evidence, from a different world hypothesis.
Contextualism is the youngest of the relatively adequate world views and is still in
its ...
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Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |