Dall'interno del libro
Risultati 1-3 di 87
Pagina 80
When they do not , both of them , act as organs of the whole being , there is but a
mechanical sequence of sense and movement , as in walking that is automatic .
Hand and eye , when the experience is esthetic , are but instruments through ...
When they do not , both of them , act as organs of the whole being , there is but a
mechanical sequence of sense and movement , as in walking that is automatic .
Hand and eye , when the experience is esthetic , are but instruments through ...
Pagina 404
The sudden view of things from their reverse , usually unnoticed , side , comes
upon us as a revelation , and such revelations are precisely those of Art . In this
most general sense , Distance is a factor in all Art . 3. It is , for this very reason ,
also ...
The sudden view of things from their reverse , usually unnoticed , side , comes
upon us as a revelation , and such revelations are precisely those of Art . In this
most general sense , Distance is a factor in all Art . 3. It is , for this very reason ,
also ...
Pagina 506
In a certain sense it does come from another world . It comes from a basically
different way of handling the world ' s evidence , from a different world hypothesis
. Contextualism is the youngest of the relatively adequate world views and is still
in ...
In a certain sense it does come from another world . It comes from a basically
different way of handling the world ' s evidence , from a different world hypothesis
. Contextualism is the youngest of the relatively adequate world views and is still
in ...
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination imitation important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represented result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |