Dall'interno del libro
Risultati 1-3 di 46
Pagina 22
In this sense the word " form " means something like " shape " ; it means that we give shape to a number of people for a particular purpose . But we go further and say , for example , that ice " forms " over a pond , or that dewdrops ...
In this sense the word " form " means something like " shape " ; it means that we give shape to a number of people for a particular purpose . But we go further and say , for example , that ice " forms " over a pond , or that dewdrops ...
Pagina 359
In every complex work of art there is some one ( or there may be several ) preeminent shape , color , line ... Thus every good pattern is built up of one or more shapes , the disposition of which constitutes the design .
In every complex work of art there is some one ( or there may be several ) preeminent shape , color , line ... Thus every good pattern is built up of one or more shapes , the disposition of which constitutes the design .
Pagina 461
But , as the Reader will remember also , when we are engrossed by something outside ourselves , as we are engrossed in looking at the shape ( for we can look at only the shape , not the substance ) of that mountain we cease thinking ...
But , as the Reader will remember also , when we are engrossed by something outside ourselves , as we are engrossed in looking at the shape ( for we can look at only the shape , not the substance ) of that mountain we cease thinking ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity actual affective appear appreciation artist aspect associations attitude beauty become called character color common complete connection consciousness course created criticism definition desire direct Distance distinction distinguished dream elements emotional esthetic example existence experience expression external fact feeling function give given hand human ideas images imaginative imitation important individual instinctive interest intuition kind knowledge language less live look material matter means merely mind moral move movement nature never novel object organization original ourselves painting particular perception perhaps person phantasies physical picture play pleasure poem poet poetry possible practical present produce pure question reality reason relation represented result sense shape significance simple social soul sound speak symbols theory things thought tion true truth turn unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |