Dall'interno del libro
Risultati 1-3 di 46
Pagina 22
In this sense the word “ form ” means something like “ shape ” ; it means that we
give shape to a number of people for a particular purpose . But we go further and
say , for example , that ice “ forms ” over a pond , or that dewdrops " form " on the
...
In this sense the word “ form ” means something like “ shape ” ; it means that we
give shape to a number of people for a particular purpose . But we go further and
say , for example , that ice “ forms ” over a pond , or that dewdrops " form " on the
...
Pagina 29
But at the moment of greatest tension the drop assumes the pear shape ; and this
is a shape assumed , not only by the pear , but by many other objects in nature —
the shells of tiny molluscs , various seed - pods and cellular organisms . What I ...
But at the moment of greatest tension the drop assumes the pear shape ; and this
is a shape assumed , not only by the pear , but by many other objects in nature —
the shells of tiny molluscs , various seed - pods and cellular organisms . What I ...
Pagina 359
... mère of Taine . In every complex work of art there is some one ( or there may
be several ) preëminent shape , color , line , melodic ... Thus every good pattern
is built up of one or more shapes , the disposition of which constitutes the design .
... mère of Taine . In every complex work of art there is some one ( or there may
be several ) preëminent shape , color , line , melodic ... Thus every good pattern
is built up of one or more shapes , the disposition of which constitutes the design .
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination imitation important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represented result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |