A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 313
... significance of art " is unrelated to the significance of life , " this so - called " metaphysical hypothesis " remains ex- tremely vague . Perhaps we may interpret it as analogous to Herbert Read's doctrine of the imitation of nature's ...
... significance of art " is unrelated to the significance of life , " this so - called " metaphysical hypothesis " remains ex- tremely vague . Perhaps we may interpret it as analogous to Herbert Read's doctrine of the imitation of nature's ...
Pagina 327
... significance of its own and no relation whatever to the significance of life ; and in those moments I lose myself in that infinitely sublime state of mind to which pure visual form transports me . How inferior is my normal state of mind ...
... significance of its own and no relation whatever to the significance of life ; and in those moments I lose myself in that infinitely sublime state of mind to which pure visual form transports me . How inferior is my normal state of mind ...
Pagina 333
... significance as an end in itself ? • • any- But if an object considered as an end in itself moves us more profoundly ( i.e. , has greater significance ) than the same object considered as a means to practical ends or as a thing related ...
... significance as an end in itself ? • • any- But if an object considered as an end in itself moves us more profoundly ( i.e. , has greater significance ) than the same object considered as a means to practical ends or as a thing related ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words