Dall'interno del libro
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Pagina 312
CLIVE BELL : Significant Form . From Art . 2. ANDREW CECIL BRADLEY : Poetry
for Poetry's Sake . From Oxford Lectures on Poetry . 3. DEWITT H. PARKER : The
Problem of Esthetic Form . From The Analysis of Art . 4. D. W. GOTSHALK ...
CLIVE BELL : Significant Form . From Art . 2. ANDREW CECIL BRADLEY : Poetry
for Poetry's Sake . From Oxford Lectures on Poetry . 3. DEWITT H. PARKER : The
Problem of Esthetic Form . From The Analysis of Art . 4. D. W. GOTSHALK ...
Pagina 318
Sophia and the windows at Chartres , Mexican sculpture , a Persian bowl ,
Chinese carpets , Giotto's frescoes at Padua , and the masterpieces of Poussin ,
Piero della Francesca , and Cézanne ? Only one answer seems possible -
significant ...
Sophia and the windows at Chartres , Mexican sculpture , a Persian bowl ,
Chinese carpets , Giotto's frescoes at Padua , and the masterpieces of Poussin ,
Piero della Francesca , and Cézanne ? Only one answer seems possible -
significant ...
Pagina 330
But the perfect lover , he who can feel the profound significance of form , is raised
above the accidents of time and place . To him the problems of archaeology ,
history , and hagiography are impertinent . If the forms of a work are significant its
...
But the perfect lover , he who can feel the profound significance of form , is raised
above the accidents of time and place . To him the problems of archaeology ,
history , and hagiography are impertinent . If the forms of a work are significant its
...
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination imitation important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represented result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole