A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 129
... similar to a dream ( Apollo is the god of dreams ) . Man creates in his waking dreams a world of tranquillity and formal beauty , embodied espe- cially in sculpture , architecture , painting , and the more chaste types of literature ...
... similar to a dream ( Apollo is the god of dreams ) . Man creates in his waking dreams a world of tranquillity and formal beauty , embodied espe- cially in sculpture , architecture , painting , and the more chaste types of literature ...
Pagina 161
... similar experience in life . The former process will be revolutionary ; the latter adaptative . Rather than use the word revolutionary , however , it would be better to use the word evolutionary , restricting the other to cases where ...
... similar experience in life . The former process will be revolutionary ; the latter adaptative . Rather than use the word revolutionary , however , it would be better to use the word evolutionary , restricting the other to cases where ...
Pagina 414
... similar , in many ways even greater , risk confronts dancing : though attracting perhaps a less widely spread human interest , its animal spirits are frequently quite unrelieved by any glim- mer of spirituality and consequently form a ...
... similar , in many ways even greater , risk confronts dancing : though attracting perhaps a less widely spread human interest , its animal spirits are frequently quite unrelieved by any glim- mer of spirituality and consequently form a ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words