A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 21
... simple answer to our question : What is art ? But we can say , to begin with , that common to all works of art is something 1 I have omitted a brief introductory section and certain other parts of Read's chapter and have renumbered the ...
... simple answer to our question : What is art ? But we can say , to begin with , that common to all works of art is something 1 I have omitted a brief introductory section and certain other parts of Read's chapter and have renumbered the ...
Pagina 25
... simple laws . That is to say , the growth of particular things into particular shapes is determined by forces acting in accord- ance with certain inevitable mathematical or mechanical laws . The bee's cell might be taken as a simple ...
... simple laws . That is to say , the growth of particular things into particular shapes is determined by forces acting in accord- ance with certain inevitable mathematical or mechanical laws . The bee's cell might be taken as a simple ...
Pagina 462
... simple ! If what we attributed to each single shape was only the pre- cise action which we happen to be accomplishing in the process of looking at it , Empathy would indeed be a simple business , but it would also be a comparatively ...
... simple ! If what we attributed to each single shape was only the pre- cise action which we happen to be accomplishing in the process of looking at it , Empathy would indeed be a simple business , but it would also be a comparatively ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words