A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 181
... simply decorative : its aim is to create beauty . But other art is broadly ex- pressive : its aim is to express emotions that may be quite unconnected with beauty . We should approach expressive art not with the criterion of beauty or ...
... simply decorative : its aim is to create beauty . But other art is broadly ex- pressive : its aim is to express emotions that may be quite unconnected with beauty . We should approach expressive art not with the criterion of beauty or ...
Pagina 269
... simply in order to direct attention to the proper place , namely , the forms of the music . But , whilst it is certain that [ certain ] types . . . are musically un- educated and can never as such enter into the delight of pure ...
... simply in order to direct attention to the proper place , namely , the forms of the music . But , whilst it is certain that [ certain ] types . . . are musically un- educated and can never as such enter into the delight of pure ...
Pagina 278
... simply that no account in words of what music " meant " to anybody has ever seemed satis- factory to them , and they want particularly to avoid the unpardonable sins of critics who rush in where angels fear to tread , in ascribing all ...
... simply that no account in words of what music " meant " to anybody has ever seemed satis- factory to them , and they want particularly to avoid the unpardonable sins of critics who rush in where angels fear to tread , in ascribing all ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words