A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 17
... soul by the use of imitation or by producing through the medium of certain sensible symbols the spontaneous presence in the mind of something over and above such symbols . Painting imitates with colors and plane forms given things ...
... soul by the use of imitation or by producing through the medium of certain sensible symbols the spontaneous presence in the mind of something over and above such symbols . Painting imitates with colors and plane forms given things ...
Pagina 107
... soul , from a " sketch " ( as the painters call it ) , from a mo- tive ; and they follow one another and crowd together with- out that precise intonation , without that accent , which comes from the heart . And what is the figure cut ...
... soul , from a " sketch " ( as the painters call it ) , from a mo- tive ; and they follow one another and crowd together with- out that precise intonation , without that accent , which comes from the heart . And what is the figure cut ...
Pagina 116
... souls that are more detached from life . Not with that intentional , logical , systematical detachment - the result of ... soul of an artist such as the world has never yet seen . It would excel alike in every art at the same time ; or ...
... souls that are more detached from life . Not with that intentional , logical , systematical detachment - the result of ... soul of an artist such as the world has never yet seen . It would excel alike in every art at the same time ; or ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words