A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 253
... spatial or temporal ex- tension of their elements in order to be concretely present to an organism , but also that the spatial and temporal aspects of the concrete content are themselves structural . Like pitch , time , whatever else it ...
... spatial or temporal ex- tension of their elements in order to be concretely present to an organism , but also that the spatial and temporal aspects of the concrete content are themselves structural . Like pitch , time , whatever else it ...
Pagina 255
... spatial and temporal orders as intrinsic to elements that are spatial and temporal . And we have noticed that for actual con- cretely apparent surfaces for ear and eye we require spatio- temporal structure as well as qualitative ...
... spatial and temporal orders as intrinsic to elements that are spatial and temporal . And we have noticed that for actual con- cretely apparent surfaces for ear and eye we require spatio- temporal structure as well as qualitative ...
Pagina 256
... spatial or temporal order ? And why , if we are to be rigorous , are temporal and spatial order any more intrinsic to spatial and temporal elements than the qualitative orders , since only as qualitied and hence as involving qualitative ...
... spatial or temporal order ? And why , if we are to be rigorous , are temporal and spatial order any more intrinsic to spatial and temporal elements than the qualitative orders , since only as qualitied and hence as involving qualitative ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words