A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 469
... standards of emotional expressiveness ( 5 ) and beauty ( 6 ) are included in Greene's standard of formal and artistic excellence . Our authors differ with respect to the question whether esthetic standards are subjective or objective ...
... standards of emotional expressiveness ( 5 ) and beauty ( 6 ) are included in Greene's standard of formal and artistic excellence . Our authors differ with respect to the question whether esthetic standards are subjective or objective ...
Pagina 498
... standard is equally legitimate by any one else whose ruling interest happens to be different . With these remarks con- cerning the permissibility , but the arbitrariness , of describ- ing any one standard of worth as " supreme " or ...
... standard is equally legitimate by any one else whose ruling interest happens to be different . With these remarks con- cerning the permissibility , but the arbitrariness , of describ- ing any one standard of worth as " supreme " or ...
Pagina 542
... standard ; so low that any standpoint for improvement is hard even to think of . By the means of speedy communication which it has created , and which should have raised the standard of life by spread- ing intelligence from town to ...
... standard ; so low that any standpoint for improvement is hard even to think of . By the means of speedy communication which it has created , and which should have raised the standard of life by spread- ing intelligence from town to ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words