A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 28
... structure : the bridge and the bone possess the same fitness , the same appropriateness . We might venture the ... structure of what they imitate . The examples I shall take are of two kinds : they are either unconscious , that is to say ...
... structure : the bridge and the bone possess the same fitness , the same appropriateness . We might venture the ... structure of what they imitate . The examples I shall take are of two kinds : they are either unconscious , that is to say ...
Pagina 253
... structure , carry struc- ture in their very nature . But without visually perceptible , that is to say colored ... structure and the orders intrinsic to space and time are as essential to concrete esthetic surface as what we usually call ...
... structure , carry struc- ture in their very nature . But without visually perceptible , that is to say colored ... structure and the orders intrinsic to space and time are as essential to concrete esthetic surface as what we usually call ...
Pagina 255
... structure as well as qualitative structure . A note must have duration just as truly as it must have pitch or timbre ; and spatial and temporal structures can appear only as qualitied . We keep " quality " as a DAVID WIGHT PRALL 255.
... structure as well as qualitative structure . A note must have duration just as truly as it must have pitch or timbre ; and spatial and temporal structures can appear only as qualitied . We keep " quality " as a DAVID WIGHT PRALL 255.
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words