A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 450
... style which departed from all realism . That here there can be no question either of crudity or of stiffness , and that a certain psychological in- stinct demanded satisfaction , will be maintained in the further course of our ...
... style which departed from all realism . That here there can be no question either of crudity or of stiffness , and that a certain psychological in- stinct demanded satisfaction , will be maintained in the further course of our ...
Pagina 454
... style has mostly been peculiar to peoples at a time when they remained at a relatively lower state of civilization . " If we consider this proposition , which indeed minimizes the rôle which geometric style has played with peoples of ...
... style has mostly been peculiar to peoples at a time when they remained at a relatively lower state of civilization . " If we consider this proposition , which indeed minimizes the rôle which geometric style has played with peoples of ...
Pagina 477
... style as well as the Flemish variant of the seventeenth century Baroque . Hence , when we say that a work of art is " in " this or that style , the term " style " signifies a complex , his- torically determinate , generic character ...
... style as well as the Flemish variant of the seventeenth century Baroque . Hence , when we say that a work of art is " in " this or that style , the term " style " signifies a complex , his- torically determinate , generic character ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words