A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 149
... ego , Freud says that we can hardly go wrong if we regard it as " that part of the id which has been modified by its proximity to the external world and the influence that the ... Super - Ego The super - ego is perhaps HERBERT READ 149.
... ego , Freud says that we can hardly go wrong if we regard it as " that part of the id which has been modified by its proximity to the external world and the influence that the ... Super - Ego The super - ego is perhaps HERBERT READ 149.
Pagina 150
An Anthology Melvin Miller Rader. The Super - Ego The super - ego is perhaps more simply described . To this part of the individual's mental life Freud assigns the activities of self - observation , conscience and the holding - up of ...
An Anthology Melvin Miller Rader. The Super - Ego The super - ego is perhaps more simply described . To this part of the individual's mental life Freud assigns the activities of self - observation , conscience and the holding - up of ...
Pagina 151
... super - ego or of conscience . It is only later that the secondary situation arises , which we are far too ready to regard as the normal state of affairs ; the external restric- tions are intrajected , so that the super - ego takes ...
... super - ego or of conscience . It is only later that the secondary situation arises , which we are far too ready to regard as the normal state of affairs ; the external restric- tions are intrajected , so that the super - ego takes ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words