A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 167
... symbol . The novel demands that we pass from the symbol to reality , and only then to the affective organization ; biology demands that we go first to the concrete objects , and only then to their rational organiza- tion . Poetry passes ...
... symbol . The novel demands that we pass from the symbol to reality , and only then to the affective organization ; biology demands that we go first to the concrete objects , and only then to their rational organiza- tion . Poetry passes ...
Pagina 168
An Anthology Melvin Miller Rader. already accepted as crystallized in the symbol . Hence the vital importance of ... symbols are as careful and minute as are the perceptual laws of mathematical symbols . We can now understand more clearly ...
An Anthology Melvin Miller Rader. already accepted as crystallized in the symbol . Hence the vital importance of ... symbols are as careful and minute as are the perceptual laws of mathematical symbols . We can now understand more clearly ...
Pagina 169
... symbol is associated with memories in our life , not by association of ideas but by affective associations . The characteristic of " dream - work " is that every dream- symbol is over - determined and has a multitude of different ...
... symbol is associated with memories in our life , not by association of ideas but by affective associations . The characteristic of " dream - work " is that every dream- symbol is over - determined and has a multitude of different ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words