A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 3
... theory is the rela- tion of art to nature . In the history of Western thought , the two most influential treatments of this theme are the theory of " imitation , " enunciated by Plato and Aristotle , and the theory of " imagination ...
... theory is the rela- tion of art to nature . In the history of Western thought , the two most influential treatments of this theme are the theory of " imitation , " enunciated by Plato and Aristotle , and the theory of " imagination ...
Pagina 306
... theory of signs . Thus the approach to art as a form of discourse is an ancient and common heritage in esthetics ; the modern theory of signs , in proportion as it is more precise and elaborate , should be able to make clear the ...
... theory of signs . Thus the approach to art as a form of discourse is an ancient and common heritage in esthetics ; the modern theory of signs , in proportion as it is more precise and elaborate , should be able to make clear the ...
Pagina 579
... Theory of Comedy , " Studies in Recent Aesthetic , Chapel Hill , 1927 . Hope , Richard , " Laughter and the Comic : A Critique of Berg- son's Theory of the Comic , " Psyche , January , 1927 , pp . 72-85 . Hulme , T. E. , “ Bergson's Theory ...
... Theory of Comedy , " Studies in Recent Aesthetic , Chapel Hill , 1927 . Hope , Richard , " Laughter and the Comic : A Critique of Berg- son's Theory of the Comic , " Psyche , January , 1927 , pp . 72-85 . Hulme , T. E. , “ Bergson's Theory ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words