Dall'interno del libro
Risultati 1-3 di 93
Pagina 3
Introductory Note One of the perennial themes of esthetic theory is the relation of art to nature . In the history of Western thought , the two most influential treatments of this theme are the theory of “ imitation , ” enunciated by ...
Introductory Note One of the perennial themes of esthetic theory is the relation of art to nature . In the history of Western thought , the two most influential treatments of this theme are the theory of “ imitation , ” enunciated by ...
Pagina 306
From this point of view it is possible to regard Aristotle's Poetics as a treatise in esthetics written from the standpoint of the theory of signs . Thus the approach to art as a form of discourse is an ancient and common heritage in ...
From this point of view it is possible to regard Aristotle's Poetics as a treatise in esthetics written from the standpoint of the theory of signs . Thus the approach to art as a form of discourse is an ancient and common heritage in ...
Pagina 579
Gilbert , Katherine E. , “ The One and the Many in Croce's Aesthetic ” and “ Bergson's Penal Theory of Comedy , ” Studies in Recent Aesthetic , Chapel Hill , 1927 . Hope , Richard , “ Laughter and the Comic : A Critique of Bergson's ...
Gilbert , Katherine E. , “ The One and the Many in Croce's Aesthetic ” and “ Bergson's Penal Theory of Comedy , ” Studies in Recent Aesthetic , Chapel Hill , 1927 . Hope , Richard , “ Laughter and the Comic : A Critique of Bergson's ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity actual affective appear appreciation artist aspect associations attitude beauty become called character color common complete connection consciousness course created criticism definition desire direct Distance distinction distinguished dream elements emotional esthetic example existence experience expression external fact feeling function give given hand human ideas images imaginative imitation important individual instinctive interest intuition kind knowledge language less live look material matter means merely mind moral move movement nature never novel object organization original ourselves painting particular perception perhaps person phantasies physical picture play pleasure poem poet poetry possible practical present produce pure question reality reason relation represented result sense shape significance simple social soul sound speak symbols theory things thought tion true truth turn unity universal whole