A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 8
... thing ) . On the other hand , beauty relates to the cognitive faculty ; for beautiful things are those which please when seen . Hence beauty consists in due proportion ; for the senses delight in things duly pro- portioned , as in what ...
... thing ) . On the other hand , beauty relates to the cognitive faculty ; for beautiful things are those which please when seen . Hence beauty consists in due proportion ; for the senses delight in things duly pro- portioned , as in what ...
Pagina 241
... things , and are thought and imagined by us as qualities and properties of the things . Especially we see this in music . Here we have an art entirely made up of a material - musical tone - which one may say does not exist at all in the ...
... things , and are thought and imagined by us as qualities and properties of the things . Especially we see this in music . Here we have an art entirely made up of a material - musical tone - which one may say does not exist at all in the ...
Pagina 333
... thing that I am talking about is that which lies behind the appearance of all things - that which gives to all things their individual significance . . . . And if a more or less uncon- scious apprehension of this latent reality of material ...
... thing that I am talking about is that which lies behind the appearance of all things - that which gives to all things their individual significance . . . . And if a more or less uncon- scious apprehension of this latent reality of material ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words