A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 78
Pagina 218
... thought alone determine what combination of our sensations we shall continue to objectify and treat as the cause of the rest . The right and tendency to be objective is equal in all , since they are all prior to the artifice of thought ...
... thought alone determine what combination of our sensations we shall continue to objectify and treat as the cause of the rest . The right and tendency to be objective is equal in all , since they are all prior to the artifice of thought ...
Pagina 461
... thought , but no longer to be thought of with reference to ourselves ( since we aren't thinking of ourselves ) , is thought of in reference to what we are think- ing about , namely , the mountain , or rather the mountain's shape , which ...
... thought , but no longer to be thought of with reference to ourselves ( since we aren't thinking of ourselves ) , is thought of in reference to what we are think- ing about , namely , the mountain , or rather the mountain's shape , which ...
Pagina 463
... thought of the rising which is really being done by us at that moment , but the thought and emotion , the idea of rising as such which had been accu- mulating in our mind long before we ever came into the presence of that particular ...
... thought of the rising which is really being done by us at that moment , but the thought and emotion , the idea of rising as such which had been accu- mulating in our mind long before we ever came into the presence of that particular ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words