A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 75
... thought . The difference between the pictures of different painters is due quite as much to differences of capacity to carry on this thought as it is to differences of sensitivity to bare color and to differences in dexterity of ...
... thought . The difference between the pictures of different painters is due quite as much to differences of capacity to carry on this thought as it is to differences of sensitivity to bare color and to differences in dexterity of ...
Pagina 461
... thought , but no longer to be thought of with reference to ourselves ( since we aren't thinking of ourselves ) , is thought of in reference to what we are think- ing about , namely , the mountain , or rather the mountain's shape , which ...
... thought , but no longer to be thought of with reference to ourselves ( since we aren't thinking of ourselves ) , is thought of in reference to what we are think- ing about , namely , the mountain , or rather the mountain's shape , which ...
Pagina 463
... thought of the rising which is really being done by us at that moment , but the thought and emotion , the idea of rising as such which had been accu- mulating in our mind long before we ever came into the presence of that particular ...
... thought of the rising which is really being done by us at that moment , but the thought and emotion , the idea of rising as such which had been accu- mulating in our mind long before we ever came into the presence of that particular ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words