A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 122
... tragedy represents an individuality unique of its kind . It may be possible to imitate him , but then we shall be passing , whether consciously or not , from the tragic to the comic . No one is like him , because he is like no one . But ...
... tragedy represents an individuality unique of its kind . It may be possible to imitate him , but then we shall be passing , whether consciously or not , from the tragic to the comic . No one is like him , because he is like no one . But ...
Pagina 423
... tragedy is another such confusion , the under - distancing of tragedy's appeal . Tragedy trembles always on the knife- edge of a personal reaction , and sympathy which finds re- lief in tears tends almost always towards a loss of ...
... tragedy is another such confusion , the under - distancing of tragedy's appeal . Tragedy trembles always on the knife- edge of a personal reaction , and sympathy which finds re- lief in tears tends almost always towards a loss of ...
Pagina 598
... tragedy ) , 118-126 , 365 , 413-414 , 422-424 dreams , xxi , 129 , 156-157 , 168-172 , 352 ; language of , xxiv ; daydream- ing and the poet , 132-142 Ducasse , Curt John , xii , 44 , 274-275 , 466-467 , 468-469 ; quoted , 274-275 , 480 ...
... tragedy ) , 118-126 , 365 , 413-414 , 422-424 dreams , xxi , 129 , 156-157 , 168-172 , 352 ; language of , xxiv ; daydream- ing and the poet , 132-142 Ducasse , Curt John , xii , 44 , 274-275 , 466-467 , 468-469 ; quoted , 274-275 , 480 ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words