A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 71
Pagina 101
... true or false , asks a ques- tion that is without meaning , and commits an error analo- gous to his who should bring the airy images of the fancy before the tribunal of morality : without meaning , because the discrimination of true and ...
... true or false , asks a ques- tion that is without meaning , and commits an error analo- gous to his who should bring the airy images of the fancy before the tribunal of morality : without meaning , because the discrimination of true and ...
Pagina 109
... true in- tuition , true representation , from that which is inferior to it : the spiritual fact from the mechanical , passive , natural fact . Every true intuition or representation is also expres- sion . That which does not objectify ...
... true in- tuition , true representation , from that which is inferior to it : the spiritual fact from the mechanical , passive , natural fact . Every true intuition or representation is also expres- sion . That which does not objectify ...
Pagina 540
... true that in their fresh and glorious days , when they are in the heyday of their faith and enthusiasm , they are thwarted at every turn by Commercial War , with its sneering question " Will it pay ? " Is it not true that when they ...
... true that in their fresh and glorious days , when they are in the heyday of their faith and enthusiasm , they are thwarted at every turn by Commercial War , with its sneering question " Will it pay ? " Is it not true that when they ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words